Circular Breathing

Circular Breathing: A breathing technique allowing players to sustain a continuous sound by inhaling through the nose while simultaneously expelling air stored in the cheeks.

Context and Significance

Circular breathing is crucial for musicians seeking uninterrupted sound production. Predominantly used in wind instruments like the didgeridoo, saxophone, and trumpet, this technique enables performers to maintain prolonged notes and phrases. It’s especially significant in jazz, classical, and traditional music, where seamless sound continuity enhances musical expression and performance.

Historical Background

Circular breathing has ancient roots, with origins tracing back to traditional wind instruments in cultures like the Australian Aborigines’ didgeridoo playing. Over time, it gained prominence in Western music, becoming a vital skill for jazz and classical musicians. Its adoption into modern music showcases its adaptability and enduring relevance.

Examples

Renowned saxophonist Kenny G famously used circular breathing to sustain a note for over 45 minutes, setting a world record. In classical music, flutists and oboists employ this technique to perform lengthy passages without breaks, as seen in pieces by composers like Philip Glass. Traditional players of the didgeridoo also expertly utilize circular breathing for rhythmic and melodic continuity.

Related Terms

Respiratory Techniques: Methods used to control breathing in music.

Embouchure: The way a musician applies their mouth to the mouthpiece of wind and brass instruments.

Diaphragmatic Breathing: A technique involving deep breaths using the diaphragm to enhance breath control.

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