Quasi Allegro: A musical term indicating that a piece should be played “almost fast,” suggesting a tempo that is slightly slower than allegro.
Context and Significance
Quasi Allegro serves as a nuanced tempo marking in music, offering composers flexibility in conveying tempo. It is frequently utilized in classical compositions where precision in speed is crucial, providing performers with a guideline that suggests a lively pace without the briskness of an allegro. This term is commonly found in orchestral and chamber music where subtle tempo variations enhance expressiveness and interpretation.
Historical Background
The term “quasi” originates from Latin, meaning “almost” or “as if,” and has been adopted in musical terminology to modify tempo directions like allegro. While the exact origin of “quasi allegro” is not well-documented, its usage became more prevalent during the Romantic era when composers sought greater expressive detail in their works. This era’s emphasis on emotional depth often required specific tempo indications to capture the intended musical expression.
Examples
In works by composers such as Brahms and Schumann, quasi allegro can often be found in sections where a slightly moderated tempo allows for expressive phrasing. For instance, Brahms’ piano pieces sometimes employ quasi allegro to balance between a spirited and controlled tempo, offering performers interpretative room while maintaining the composition’s lively character.
Related Terms
Allegro: A fast and lively tempo.
Andante: A walking pace, slower than allegro.
Quasi Andante: Almost at a walking pace, slightly slower than andante.
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